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Watch and learn: Green Screen Editing TutorialĪdobe Premiere Pro has a solid set of tools to edit green screen footage with. Green is also easier to illuminate than other colors – so less light is needed to create a solid green backdrop with no shadows. Green is also a color that cameras are very sensitive to. So you won’t worry about people showing up in a neon green shirt to work (see green screen fail below). Why use green? The semi-neon-green that is used in green screens is a color that is not common in nature.
GREEN SCREEN PREMIERE PRO SOFTWARE
Your video editing software basically reads all of the data in your frame, and whatever pixels land in the chroma keyed color (could be green or really any color you want) are deleted. In post production, you use effects to remove the green parts of your video frame.
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How does green screen work? You position your subject in front of a green backdrop. A common use of green screen is during weather forecasts. You think Hogwarts actually exists? I wish! Most of those backdrops and sets were completely digital. Most Hollywood films have some sort of video compositing. I'd like to see if there's anything I'm doing completely wrong, what I can do better, or if I'll be presented with any "You don't have to do all of that" moments.You’ve probably been watching chroma keyed video for a long time. So I turn to the pros to see what your ideal chroma key workflow is. Oftentimes, when I make a cut in one of the later sequences, Premiere won't process the audio at the cut correctly. All of the adjustments need to be made manually.Ģ) Premiere REALLY doesn't like audio from nests of nests. The biggest issues with this workflow that I've found are:ġ) If I need to make a change in one of the first sequences, Premiere doesn't auto-ripple that change through the next sequences. So here's what I do now:ġ) Create a sequence with just the raw video, and all the best takes laid out logically.Ģ) Bring that sequence into another sequence, where I apply Ultra Key, Track Matte and Lumetri, and drop the background in underneath.ģ) Bring THAT sequence into ANOTHER sequence where I make any extra cuts (ums, ahs, awkward pauses) and add any graphic cutaways or anything extra.ĪDDENDUM: I'm currently working on a project with TWO angles, both chroma keyed, so I basically just do this twice. My current workflow for green screen / chroma key allows me the possibility of going back and changing the matte or the background at any point in the project, so there's a lot of nesting.
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I mainly work on web video series, not so much TV or film. I'm a self-taught editor so I have a workflow that works for me based on what I know, but I'm getting so much work now (and gaining some teammates) that I need to make it more efficient and collaboration-friendly. Looking for something more local? Here are some localized subreddits: To chat with specialists in recording sound on set, check out Want to learn more? Try these subreddits: You don't want people to rip off your work, we shouldn't be ripping off theirs. Sunday Sunday Job/Career Advice ( for the past month) Are you new to editing?ĭiscussion or advocacy of piracy is prohibited. Thursday Tip Thursday ( for the past month) Wednesday Assistant Editor Wednesdays ( for the past month) Monday: Megathread Mondays [ for the past month)
GREEN SCREEN PREMIERE PRO MOD
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Having a problem: Be specific about your setup, software and footage.If you want to post a job, we expect you to quote some sort of pay - hourly, daily, weekly etc.No posting of your services, or that you're looking for work.This is a subreddit for people who make their living in the field (or are trying to.) If you want to know what software to use.go to /r/VideoEditing.Then be specific about the type of feedback you want. Feedback: do it somewhere other than facebook or YouTube.Imagine someone else is having a bad day. Generally we're not a place for you to advertise your work, and we expect everyone to be civil and generally not act like a jerk. For people that get paid to edit film, video, television, etc.